000			01888mam a2200337 a 4500
001			3074685
003			OSt
005			20160229155214.0
008			010209s2001 txuab b s001 0 eng
010			_a 2001000941
020			_a0896724387 (alk. paper)
035			_a(OCoLC)ocm46343486
035			_a(NNC)3074685
040			_aDLC _cDLC _dC#P _dOrLoB-B
043			_an-us-nm _an-us---
050	0	0	_aPS3505.H946 _bZ464 2001
082	0	0	_a818/.5203 _aB _221
100	1		_aChurch, Peggy Pond, _d1903-1986.
245	1	0	_aBones incandescent : _bthe Pajarito journals of Peggy Pond Church / _cedited with essays by Shelley Armitage.
260			_aLubbock : _bTexas Tech University Press, _cc2001.
300			_axliii, 236 p. : _bill., map ; _c24 cm.
504			_aIncludes bibliographical references (p. 217-224) and index.
520	1		_a"A personal ecology is what poet and writer Peggy Pond Church called the journals she kept for nearly fifty years on New Mexico's Pajarito Plateau before her death in 1986. Church's work appeared regularly in Poetry and Saturday Review of Literature, and her biography of Edith Warner, The House at Otowi Bridge, became a regional classic. She had a profound relationship with the place now known best for the Los Alamos laboratories and the Manhattan Project.".
520	8		_a"The journals, dating from the 1930s, are studies in spiritual and psychological response to the landscape that informed Church's sensibilities and creative energy. The plateau she loved became both her subject and the basis of her connection to other women writers, particularly Warner, Mary Austin, and May Sarton."--BOOK JACKET.
600	1	0	_aChurch, Peggy Pond, _d1903-1986 _vDiaries.
650		0	_aPoets, American _y20th century _vDiaries.
651		0	_aPajarito Plateau (N.M.)
700	1		_aArmitage, Shelley, _d1947-
900			_bTOC
942			_2lcc _cGEN
999			_c11647 _d11647